New objects of research in algorithmic aesthetics: dance performance and choreographic art practice
https://doi.org/10.25205/2541-7517-2024-22-1-82-95
Abstract
The article explores the way in which new objects of study, such as dance performance and art–practice, emerge in algorithmic aesthetics. The advent of digital communicative practices shapes new means of formalization of dance performance scripts, which nowadays have various technological solutions, including algorithmic ones. Classical aesthetics is unable to describe the technological modernization of artistic expression. The author offers a general framework of algorithmic aesthetics to study of dance performance and art practice.
About the Author
O. I. Uymina
Gubkin National University of Oil and Gas; Lomonosov Moscow State University
Russian Federation
Russian Federation
Olga I. Uymina - Senior lecturer, Gubkin National University of Oil and Gas Postgraduate student, Lomonosov MSU.
Moscow
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Review
For citations:
Uymina O.I. New objects of research in algorithmic aesthetics: dance performance and choreographic art practice. Siberian Journal of Philosophy. 2024;22(1):82-95. (In Russ.) https://doi.org/10.25205/2541-7517-2024-22-1-82-95
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